8 Best Free Multiband Compressors (That Don't Suck)

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Top 10 Multiband Compressor Plugins — Sage Audio

 

Attack is an essential parameter to get in and play with, as it controls the length of time before the compressor acts and reduces the level of the input signal. If we squash the transients with the rest of the sound, we lose punch and impact. Likewise, Release is the amount of time it takes for the compressor to ease off and stop working each time it hits. To save you the trouble, you can use the Auto release mode, which is a reliable way of ensuring that compression is being safely applied.

And then of course there are the Mode buttons up top, which change how Compressor processes incoming audio by emulating different classic hardware units. Did you know that the team at Apple spent some serious energy on giving you a great range of compressors in one package with Logic Pro X? Not only that, but these different compressors each have a unique real-world counterpart that has been painstakingly recreated.

Named after an earlier release of Logic Logic Platinum , circa ! Producers tend to use Platinum Digital when they need to make some technical adjustments to the way the level, the attack, or the release of a sound behave. Tip: Studio VCA comes into its own on an instrument or vocal layer when you push the Threshold down and choose one of the Distortion options. Have a play, and enjoy the warm flavor of this compressor. Based on its real-world counterpart, the UREI the Studio FET Field-effect Transistor compressor is designed to give you a responsive and punchy attack, as well as providing a bit of nice color to the overall sound.

Tip: Give your lead part a solid attack to help find its place in the mix. The attack will poke through your mix and allow you to nestle the layer deeper in with the rest of the instruments, just biting through every time the compressor is initially activated. The simplest of them all, the Classic VCA is modeled on the sound and controls of the real-world dbx Notice there are no attack and release controls here.

A good alternative to Logic should share that aspect. A strong community to learn how to utilize certain aspects is almost as important as the software itself. Choosing a DAW comparable to Logic should have a strong community to tap into or a library of online tutorials.

We took a look at alternatives that are just as affordable from a price point, including the value you can get out of it. Here are the top Logic Pro X alternatives with details on pricing, platform support, features, and more.

We looked for support on Windows machines as a necessary component as Logic is only available on Mac. Soundtrap is a completely online DAW acquired by Spotify in Above all, the learning curve to accomplish recording a song is made easy with Soundtrap. You do not need to worry about compatibility with your computer, as it runs in the browser independently, while still operating as professionally built DAW. One of the more exciting features of Soundtrap is its online collaboration tools.

You can easily sync up and work with your producer of band members, as well as find new talent easily by searching. Reason is a DAW that many others have used as a basis for new ideas and creativity. With their unique rack and patching system, you are able to work with synths and other outboard style gear virtually like it was the real thing! Take the way you like to approach effects routing to Pro Tools or Logic with ease!

My favorite would be the Vintage VCA because it clips the transients the way I like, and I like the mild distortion you get from it, but all the other compressors, except for Platinum Digital, are good options for smashing the drum room.

After testing all these compressors out, I came to three conclusions. One is that, they are all really good. Whether you are a professional audio engineer or a songwriter, these compressors should be able to satisfy a lot of your needs. Third is that, damn that Studio VCA is such a good compressor on almost everything. Good job Apple! Hopefully you now have a better understanding of these 7 compressors in Logic Pro X. Be sure to check out my YouTube channel if you are into audio production!

I publish helpful videos on audio production every single week. Feb 4 Written By James Zhan. Platinum Digital. Studio VCA. Studio FET. Classic VCA. Vintage VCA. Vintage FET. Vintage Opto. Hi-Gain Metal Rhythm Guitars In this comparison, we have some fast metal guitar riffs that contain a lot of palm mutes. Drum Bus The drum bus is always my favorite thing to test compressors on. Drum Room Mics One of the things mixing engineers love to do when mixing rock or metal drums is to use a compressor to smash the drum rooms, and not every compressor works well for that.

The plugin also sports an Auto Release Control mode that calculates release time continuously according to the input material. FIRs are more accurate but introduce latency and hence might be suited only to mastering purposes. IIR is computationally efficient, ensuring that the plugin adapts well to mastering as well as real-time use. T-Sledge may not rank as the best free compressor plugin but it is far from outmoded. From gentle to aggressive compression, this Winamp-era plugin will sit well with anyone who wants a professional sounding multiband compressor to shape their sound.

It is especially suitable for a master bus or an instrument group with a wide range of frequencies. As the name might suggest, this free multiband compressor VST is at its conventional best when used sparingly , but can achieve extreme effects when pushed. OTT is a visually simple but sonically explosive multiband compressor. The usage is simple: two knobs control the overall amount of upward and downward compression. Sliders on each band control the amount of compression for each band.

Finally, overall input and output trim gain can also be set. That said, it has the potential to be used cleverly in any other genre as well.

While the conventional MBC plugins work in parallel i. For this plugin, the crossover frequency ranges react differently. If a compressor stage coming after the current one has a target range that overlaps with the current one, that frequency range will undergo compression from both stages one after the other. MCS6 provides six serial stages , and each stage has filters like low pass, high pass, and notch , as well as a band option.

Additionally, each stage can have multiple filters. Along with a compressor, each stage also provides a non-linear saturator. This can be great for adding some grit and character to a particular band and generate pleasant harmonics. Each stage also has a stereo width control like in GMulti. As mentioned earlier, this can be very useful for creating a wider stereo field in the upper frequencies while maintaining a tight low end.

Global high and low cut filters are also provided to remove any unwanted rumble or harshness before processing. MCS6 is a serial multiband compressor and saturator. Six stages of processing allowing many combinations - you can compress, saturate, equalize, control the stereo, and de-ess. The clear user interface is also optimized for fast and precise workflow. MSCS6 is unique and precise due to its detailed metering and visual feedback.

The addition of saturation per band expands its tonal palette apart from its dynamic control capabilities. Its serial mode of operation must be considered, however, as it can yield different results from what one would normally expect from a multiband compressor. Note: Technically, the next two plugins are dynamic equalizers and not strictly multiband compressors owing to the difference in parameters and filtering function.

However, the practical effects of both these processes in music production are very similar and somewhat interchangeable. Dynasaur is a 5-band dynamic equalizer with adjustable detection modes per band.